Enter Shikari concerts on A38 are probably, amongst many other things, the
organizers’ way of making sure that the boat won’t get dislodged from the shore
in case of earthquakes and such and that all that electrical wiring and stuff
on the ceiling will stay there no matter how many band members decide to hang
from them, accompanied by instruments and the occasional fan attached to their
leg.
I half-ashamedly admit that I did not grace the boat with my presence for
the opening acts, so by the time I arrived, close to 10 PM, the majority of the
audience had already had that one beer too many and was clustering in front of
the stage ready for some action- the appaling quality of photo material is
mostly due to the fear of a sweaty and drunk Enter Shikari fan being ejected
from the mosh pit straight onto my lens. One photographer did commit the
unspeakable horror of going into the middle of the crowd during one of the down
tempo breaks and well, then, all hell broke loose- he was not seen again for
the rest of the evening, so I can only hope that both himself and the equipment
are fine.
If I am to be very honest, Enter Shikari’s music should not be my cup of
tea- as a rule, their fans are mostly slightly agitated 25-year old males with black
T-shirts who just had two beers and a Jager, and somehow I don’t qualify for
most of that. Yet there is something utterly compelling in the passion with
which they rip through each of their performances and how the core audience
goes along with that- time seems to fly by, one moment someone’s hanging from
the ceiling with a microphone, next moment he’s there again, but it seems that
90 minutes have elapsed in the meantime, which you don’t necessarily remember
exactly, but have the distinct impression they were great.
No comments:
Post a Comment