The temptation to portray
yourself as a sophisticated know it all of the festival circuit has led many to
pen list upon list of the least known, but obviously most exciting acts to
grace a particular event- although the season now draws to a close, rosters are
still born uncovering the hidden gems of the summer’s last festivals. I confess
to having lived with such a temptation in the run up to Sziget, but finally
decided against it, because truth be said, you’ll usually end up with a list of
things which were less known to you, out of all people, and might have otherwise
been very familiar to many.
Wikipedia’s English version is
however also confused on the artist who landed at number four on the best of
concert list, and feels that Ceza’s notability might need to be verified, as if
the highly esteemed online resource would find it hard to get its head around
the concept of Turkish rappers and what to do with them. I would say listen to
them- for a start.
I would even go as far as to
introduce the Ceza rule as a general test: take a person who does not speak the
language of the rapper, have them listen to a relevant batch of songs and ask
them whether they can still enjoy it and consider it a valuable musical output.
If they do, the rapper in case has to be doing something right. It was this momentous discovery that made me
realize why I have always strongly disliked Eminem’s music: there is something
hysterical and overbearing in the way he shouts and enunciates his various pain
points over the music, which every so often is but a meagre chorus sung by some
angelic female voice. Like that moment when he rants about tornadoes and
volcanoes and you go, okay, just a few more seconds and the suddenly decidedly
lovely Rihanna will chime in, yay.
But enough about those irrelevant
to our present discourse (though really, Eminem on the main stage, one of us
would have the opportunity to have the mother of all rants, we just have to
find out who), Ceza’s Europa Stage concert had a pretty spectacular crowd- the
hardcore nucleus was of course formed by Turkish fans, with whom Sziget has
been becoming increasingly popular, but as the evening wore on, ever more
people decided to stop and join in because they simply enjoyed the music-
coming back to the Ceza rule, the most frequent remark was that they do not
understand a word and only came for the food (the Mexkitchen stand next to the
Europa Stage was pretty sweet, indeed), but his sounds awesome nevertheless.
I for one went for Ceza
specifically (okay, I knew the stand was there as well), since I’d listened to
him previously after he was featured in Fatih Akın’s documentary Crossing the Bridge: The Sounds of Istanbul
and although I did expect the show to be enjoyable, I did not count on it being
quite this good. There’s always a Sziget concert with a slightly undefinable
elemental energy that gives you that stupidish grin of this is it and I am so
glad it’s happening to me.
I still have no inkling of what
the man is saying, or, more precisely, I have been informed on the general outline
of his topics but will not be able identify them on the go, but he sure as hell
delivers it all as if his life depended on it. It might be my proverbial weak mindedness
taking the stage yet again, but I still love a good melody with a good chorus,
and Ceza delivers on the level as well, which is probably very necessary for
that kind of appeal which transcends the borders of language to which rappers
are bound to a certain level. So yes, Wikipedia, this was notable, thank you
very much.
Hi. I wanna chat with you and get more information about Ceza that in your mind and Sziget Ceza's turn. We do that here or with mail?
ReplyDeletedelimasali@gmail.com. Text me please.